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2007 Negro Baseball Legends Banquet & Golf Tournament
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2007 Negro Baseball Legends Banquet & Golf Tournament

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Carl Long
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Carl Long
Birmingham Black Barons, Negro League Baseball

Kinston Eagles, Carolina League Baseball

Carl Long is the husband of Ella Long and the father of Cynthia Sparks (James) Teresa Whitfield and Pastor Sotello V. Long (Dee). He loves God, family and baseball!!!

He resides in Kinston, NC. It has been said, that "Carl's a true trailblazer," by North Johnson, Director of Baseball Operations. "A trailblazer in every aspect of the word, not just in what he did for baseball in Kinston, but what he has done and continues to do for the city in so many ways."

Long, who made his debut in the Negro Leagues with the Philadelphia Stars at age 15, is a captivating story teller of his days as a player. The South Carolina native later achieved a high level of success playing the outfield as a star center fielder for the legendary Birmingham Black Barons.

He was named to the Negro League All-Star team in 1953. He set the record for batting in 111 runs in a season for Carolina League baseball. He also played on the Pittsburgh Pirates minor league baseball team. Long eventually broke the color barrier, becoming the first black player to play for the Kinston Eagles in the late 1950's before a shoulder injury cut his career short. He has been inducted into the Negro League Hall of Fame in Washington, DC and He was inducted into the Kinston Indians Hall of Fame!

If you want to find out more about the history of Negro League Baseball, speak with Carl about his experiences during that time or ask him about those other famous players he met we all love.

CARL R. LONG

Born: May 9, 1935

Birth Place:    Rock Hill, SC

Position: Outfield
      
Bats: Right  Throws: Right

Carl Long played for the Birmingham Black Barons and was a star center fielder. He was named to the All-Star team in 1953. He set the record for batting in 111 runs in a season for Carolina League baseball. He also played on the Pittsburgh Pirates minor league baseball team. He was the first black player to play for the Kinston (North Carolina) Eagles Triple-A minor league baseball team. He has been inducted into the Negro League Hall of Fame in Washington, DC!!

If you want to find out more about the history of Negro League Baseball, speak with Carl about his experiences during that time or ask him about those other famous players he met we all love.

Negro League Baseball

1951 Nashville Stars

1952-53 Birmingham Black Barons

Prevention League Baseball

1954 St. Johns Quebec, Canada

Minor League Baseball Pittsburgh, Pirates

1955 Pioneer League, Billings, Montana

1956 Kinston Eagles, Kinston, NC * 1st Black player in the Carolina League

1957 Mexico City

1957 - 58 Beaumont, TX

Professional Accomplishments

First Black Baseball Player in the Carolina League

First Black Deputy Sheriff in the city of Kinston

First Black City Detective in the city of Kinston

First Black Seashore/ Trailways Commercial Bus Driver

Kinston Indians - Carolina League Baseball Hall of Fame Inductee: Feb. 7, 2003

Negro League Baseball Hall of Fame Inductee: May 12, 2003

Played with Willie Maysagainst Henry Aaron and Charlie Pride.He was a good long ball hitter with a good strong and accurate throwing arm!


 
Loo Oates In Uniform
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Atlanta Braves Minor League Camp
Loo Oates
 
Courtesy of News and Sports January 3, 2007
 
Loo Oates Aboard Big Red With The Indianapolis Clowns
by: John Devard
 
The early days
  Loo Oates traces his early baseball skills to the footsteps of his father, Jack Oates, his uncle, T-Meat Raynor and much older players like Bruce Bennett who taught him the ropes around the sandlots on his way to becoming a member of the Indianapolis Clowns, and his pitching coach, Charles Middlebrooks, who was instructmental in him eventually ending up in the Atlanta Braves farm system.
 
  I played in a summer league in Newton Grove when I was 12 or 13' said Oates. I was playing with guys in the army, in college and guys 18 or 19. They threw me to the wolves and made me play.
  Not only was Oates a tremendous  hitter, he was the "ace" of the Clowns staff who threw three or four times a week, winning almost 100% of his games. "Oates estimates he won maybe 30 games his first year." In high school (Carver High School) Oates says he only lost maybe two-three games.
 
  Baseball was so important to Oates, that he would help his cousins and neighbors with their chores so they could play ball. Our entertainment on the weekend was church and baseball stated Oates.
Back then baseball was like a religion to black people.
  During the summers, Oates, whose father knew he had the talent to be a baseball player, would go to a camp in Ocean City, New Jersey run by the Philles and play, working at his uncle's service station to earn money.
 
High school
   Upon his return to Carver, his desire to play baseball was intensified by a teacher's unwitting remarks.
   She said something to me you should never say to a10th-grader. She said. "you should forget about that nonsense of playing baseball. Go down to that pickle plant and get you a job. To this day, I will not eat pickles. I knew I was either going to play baseball or go to college.
 
Becoming a Clown
   Oates arrived at the Clowns camp with 300 other hopefuls, but only 40 made the two teams and a player had to be versitable by playing more than one position. But from the outset, the Clowns owner would not let Oates do anything but pitch. He used him to sell programs and do the PA announcements. The star attraction, Nature Boy Williams,  traveled with his own car, a pink caddy convertible.
   Oates arrived  with a devastating fast ball, a nasty curve and with the break of camp, had been assigned to the Clowns main team. He credits pitching coach, Charles Middlebrooks with teaching him the slider to complete his arsenal, which made him almost un-hittable. Like the Harlem Globe Trotters, the Clowns carried their own team, The  New York Stars. That's when the main star, "Nature Boy Williams," made the statement, "O", you got to take it easy on the stars, or you have to pitch for the A team... scolding him about striking out the stars."
 
   Oates and the rest of the Clowns were forced to sleep in jails or wealthy blacks home. Oates very seldom had to do the jail scene, because he was on the A-Team, but like the rest of the team, they would make sandwiches to avoid being denied service in restaurants and most times would time their arrival at their destination shortly before game time. Oates states, that the movie, Bingo Long and The Traveling All-stars was a great take-off of the Clowns, with Sam"Birmingham Sam" Bryson and Dero "The Dwarf" Alston playing roles in the film.
 
Showing out
   The part Oates liked best about playing with the Clowns was, when  the seventh, eighth, and ninth batter came to the plate, he would called the infielders/outfielder in and they would lay around the infield chatting while he struck out the side. The salary was okay said Oates, who made between $600 and $800 a month. The showman like Nature Boy Williams commanded much higher salaries. 
 
Oates wanted to be in the minors
   From the very beginning, Oates had a contentious relationship with Clowns owner, Ed Hamman. Hamman was known for overpricing the contracts of his players, Oates recalled. He knew that the Braves tried to purchase his contract from Hamman before the Clowns broke spring training camp his first year. Hamman even had me riding with him in his car to games stated Oates. I guess that was a way to keep me close.
 
Sold to Atlanta
   But after playing for the Clowns for two years, Hamman finally sold Oates contract to the Braves for $10,000. Before Oates would report to the Braves camp in Waycross Ga. on the advice of his pitching coach, Charles Middlebrooks, Oates refused to report and Hamman eventually gave him $1.000.00. Oates never spoke to Hamman after his contract was sold, and in conversations, he finds any mention of Hamman distasteful.  Another reason Hamman wanted Oates on the A-Team, Oates surmised that he wanted to keep him away from Middlebrooks, still a very good pitcher, but a savvy veteran who knew the ropes and took Oates under his wings. He was accused of favoring Oates, by pitching him more than the other pitchers. Middlebrooks simple explanation was. "He's my ace.
 
Saying goodbye
   Oates eventually developed arm trouble,and finished his career playing in Canada, but had to retire due to arm trouble,"which he contributed" to the many games pitched for the Clowns. He  pursued his educational goals at Long Island University in New York and studied anthropology, simply because "people told me I couldn't do it." Oates did do it and, after earning an MBA from Adelphi, and studying law at Brooklyn Law School, he went on to star with the great Brooklyn USA famed softball team in Brooklyn New York in the 70's.
 
   For Oates, playing with the Clowns was the beginning of his education. When I left the Clowns I had played in 40 states, Canada and Mexico," he said. I took away a full understanding of what you had to do, understanding the next level of playing ball and the next level of playing life.
 
In retirement 
   Today, Oates is retired due to health problems, from the company he founded in 1989, the Black Pages Today Network, relinquishing the reins to his daughters, but continues to write a weekly column and is working on a book "The Boys of Big Red" a look at the life and times of an Indianapolis Clown.  Once you do your best, that's all you can do stated Oates.
 
On The Internet:
The Oates Report: www.loooatesreport.com

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Hubert Wooten
Courtesy of The News Argus
Through the eyes of a Clown: Hubert Wooten was among the last of the barnstormers.
 
Hubert Wooten doesn't have any photos of himself from the old days, when times were tough and glorious all rolled into one. He has no baseball cards that captured the likeness of a much younger Wooten -- Daddy Wooten -- as he was called four decades ago, and no statistics showing that the kid could hit, run and throw.
 
What he does have are golden memories.
 
Memories of the long nights on the old bus, Big Red. Memories of the four years he was with the "Harlem Globetrotters of baseball." Memories of playing with and managing baseball great Satchel Paige, the ageless Hall of Famer who was perhaps 50 years his senior.
 
And memories of a dream.
 
"If we had any sense, we would have kept stats, and we would have taken pictures of the guys," says Wooten, now 61. "But we were out there just trying to get to the next level. We wanted to make it to the big leagues, and the rest of it didn't matter.
 
"As long as we played that day."
 
Wooten, who was born in Goldsboro on Sept. 6, 1944, and graduated from Carver High School, played from 1965-68 with the last of the barnstormers, the Indianapolis Clowns.
 
The Clowns, best known for their comedy routine, were the longest-running franchise in the Negro League. By the mid-1960s, they were the only team left. So they were always on the move, taking seemingly endless road trips.
 
"We had this bus called Big Red, I'll tell you we slept on it," he recalls. "We'd play a game, say in Milwaukee, then we'd go like 300 miles, check into a motel long enough to take a shower and go to the field for a doubleheader. We'd play one at two, then played another that started at seven that night. We'd go back to the motel, go to sleep, check out early that morning, get back on Big Red and jump 200, 300 more miles.
 
"Always on the bus."
 
Like the Globetrotters, the Clowns always had a big following.
 
"When we pulled up in a town, people were all around Big Red, wanting to see the Clowns," he says with a smile.
 
They were there to see the talented players, and they were there for the show. A show where the catcher would perhaps play his position from a rocking chair, where buckets of confetti were thrown into the stands, and where firecrackers found their way behind an unsuspecting umpire.
 
And there was the world-famous shadow ball, where the Clowns would play the game in slow motion -- with crazy antics, at times -- with an imaginary ball.
 
"We'd put on a show," Daddy Wooten recalls. "After seven innings, we'd do the shadow ball, we'd do a little dance to the Harlem Globetrotters music, 'Sweet Georgia Brown.' We had special guys who were really good at that, like Nature Boy, Birmingham Sam, Bobo, Steve Anderson, the one-armed fellow. We had firecrackers that we'd light behind an ump, they would explode and he'd jump up.
 
"It was really comical and people really enjoyed it. We also had a good time, and we had a chance to play every day."
 

He always
 
had power
 
Daddy Wooten wasn't a big man by any means -- he stands just 5-foot-8 ("maybe 5-foot-8 1/2," he laughs). But there wasn't a ballpark that could hold him if he got into a pitch.
 
"I've always had power and people wonder how," he says. "And I'd tell them, 'It happens when you work on a farm.' When I was a youngster, I had to cut wood, I had to walk behind that mule, and I had to take two 50-pound bags of fertilizer, one in this hand and one in the other, and carry them across the field. I didn't get my power in the gym, I got my power on the farm."
 
Wooten played ball his junior and senior seasons when Carver High started a baseball program.
 
When he graduated, he went to a baseball school in West Palm Beach, Fla.
 
He signed a minor league contract with the Vero Beach Dodgers in 1964 where he pitched and played in the outfield.
 
"I went over there and they said, 'You're raw, you have good talent but you need to play every day,'" he said. "Then they sent a letter to Ed Hamman, who owned the Clowns, and he sent me a ticket to meet me in Chicago.
 
"After meeting Ed, I signed with the Clowns."
 
With the Clowns, Hamman helped Hubert Wooten get his nickname.
 
"Daddy Wooten, that's what they called me," he says. "One time, I hit a ball off the wall, and Ed was standing over there, he was laughing and said, 'That's the daddy.' And Sandy Perkins said, 'Yeah, we're going to name him Daddy Wooten.' And that name just stuck."
 
Daddy Wooten loved to play every position. Well, almost every position.
 
"I played all positions except one, and that was catcher," he says with a smile. "They made a mistake once and I had to get back there. All our catchers were hurt and they had one coming in, and I had to get back there. We had a fellow on the mound that day who was about 6-foot-6 and he could throw 95-96 mph and we were in Nebraska. And I'll tell you, he'd throw, they'd swing, I'd close my eyes and the ball would go by. I walked all night. I told Ed, 'The only plate I want to get behind is one with food on it. And when it's gone, I'm gone.'
 
"So I played all positions in the infield, I'd play outfield and I could come in and relief pitch every night -- It didn't bother my arm."
 
At the plate, Daddy Wooten was a good hitter with some pop.
 
"I had good power, good speed, good arm," he said. "There was no park that we played in I couldn't hit it out of. In Pittsburgh, at old Forbes Field, I hit one over the scoreboard in left field, which was about 75-feet high."
 
He doesn't know what his stats were during his tenure with the Clowns, but Wooten has a pretty good idea.
 
"If I was rounding it off, I probably batted about .310, .315 in my four years there," he said. "I hit maybe 12, 14 home runs a year. We played a lot of local clubs who were loaded up with All-Stars -- you were going against the best."
 
But the Clowns were no slouches, either. In fact, Wooten says he can only remember the team losing four times -- in four years.
 
"We had a good team ourselves, I'd say it would have been a good Double-A or Triple-A ballclub," Wooten says. "We had some outstanding ballplayers."
 

Managing Satch
 
During his final two years with the Clowns, Daddy Wooten served as player/manager of the team.
 
In his first season of managing, one of the biggest names in baseball hooked on with the Clowns -- ageless pitcher Satchel Paige.
 
The Hall of Famer's birthday is often listed as July 7, 1906 -- which would have made Paige 61 (the age Wooten is now) in 1967 -- but no one really knew for sure.
 
Not even Daddy Wooten.
 
"I asked him one time, 'Satch, how old are you?' And he said, 'I'm a good way from 100, but I'm older than 75,'" Wooten recalls.
 
"He wouldn't tell me."
 
But no matter how old Paige was, the man could still play.
 
"He could still throw the ball," Daddy Wooten said. "We were at old Comiskey Park and he told me to get behind the plate and a photographer was standing behind me. He was throwing strikes on the corner and the man said, 'Can you believe his eyesight is that good to see this far?' I said, 'That old man never ceases to amaze me.'
 
"He had a pretty good fastball still, he could throw the scrooge and he showed that hesitation pitch he was famous for. And he was very knowledgeable about the game, he'd try to help you -- and that was the good thing about him."
 
Satch had respect for his young manager, too.
 
"My problem was they were saying I wasn't tall enough," Wooten said. "Matter of fact, Satch told me one time, 'I'll tell you what, if you had been about 6-feet with your power, your speed and your arm, there's no way in the world you'd be out here, you'd be gone. The only thing you weren't gifted with was height."
 
Paige even compared Wooten with another Negro League legend and a Hall of Famer.
 
"Another time, Satch and I were sitting on the bus, he took his teeth out and he said, 'Boy, let me tell you something, you are built about like Josh Gibson was,'" Wooten says. "He said, 'But you ain't going to hit as hard as he did.'"
 

Living on peanut
 
butter and jelly
 

This site is dedicated to all the players who toiled in Negro League Baseball, and all the Barmstorming Teams,  eventually paving the way for modern day players. To my father, Jack Oates who made me believe I could play and instilled the most vital aspect of my game, the killer instinct, by encouraging me to throw the brushback at batters digging in. To my uncle Demetrius "T-Meat" Raynor who taught me the will to win, my high school coach, JD Evans who taught me to work hard and excel at my game. Coaches Lionel Hickerson and Sonny"JO" Bennett who taught and encouraged me. To my sandlot catcher, Bruce Bennett who allowed me to throw any pitch  I wanted.  I owe a special thanks to a man I learned to love, the late Charles Middlebrooks, my baseball coach with the Clowns, who taught me toughness and pride in playing baseball.
I would like to pay a special Tribute to my good friend, the late Carver Durham, a walking encyclopedia on the Negro League Baseball and one helluva baseball player too. We miss you my friend. Also to Allen Warren, Buck Oates and my teammates on the Indianapolis Clowns.
Leroy Satchel Paige Touring With The Clowns
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